Tag Archives: doctor who

My Week In Writing (25/06/17)

20170614_192709Well, the big news for this week: I finished Settlement 359! Final count: 153,000 words, ish. I may or may not write a sequel – for now, it’s a happy ending.

So, what next? For now, I’m planning to do a little work on a short story collection I’ve been picking at for a while, featuring characters etc from my everpresent novel (the one I haven’t figured out how to write yet).

I planned to work a lot more on Summer this week, but life got in the way. I’m still not over my lingering cold, and I’ve had a total of three job interviews, with a fourth one coming up on Tuesday. I’m at 2/3 on rejections, so far.

I also had a Doctor Who short story rejected by the charity anthology I sent it to, which means I can now post it only whenever I want, without having to hack it to bits to fit a wordcount. Silver linings.

Still working on my entry for Big Finish’s short story contest. I’ve written the section I wanted to use for a sample, but it’s over twice as long as the word limit.

I started reading After Me Comes The Flood by Sarah Perry, which I found really gripping for the first couple of chapters, but now it sort of feels like everything’s been resolved and it’s still going… I assume it’ll pick up again, if I keep at it.

This week’s Doctor Who was… well, I have complicated feelings. Loved the plot, loved the classic Who references and the final twist, in deep denial about the ending. I’ve no doubt they’ll reverse it next week but frankly it was unnecessarily dark.

Next week: figure out what I’m doing with my life, now I’m unemployed.


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Doctor Who: 12 Stories for 12 Doctors (part 3)

rose-touches-dalek-doctor-who-20059. Dalek (Christopher Eccleston, 2005)

I’m part of the New Who generation. This was my introduction to the daleks – I was aware of them, naturally, but I’d never seen more than brief clips (actually, until the title card came up, I thought they were the darlecks). And I was hooked. Dalek both confirmed my belief that the titular cyborgs are fearsome monsters… and challenged all my expectations.

I didn’t listen to Jubilee, the Colin Baker audio play that Dalek was adapted from for another decade, and I’m glad I experienced them this way around. Dalek is Jubilee boiled down to a skeleton, forty-five minutes of more or less condensed action, and if I was familiar with the source material I’d probably have hated it. As it was, I was thrilled and moved and loved every minute of it.

Looking back, there’s some shaky awkwardness characteristic of season one, but also some touches I missed first time around – the 70s cyberman in the case! The lines taken straight from Jubilee! – and I still love it. One of my most re-watched episodes.

Runners up: The End of the World, Boom Town

a276dfe19bb9b3cdfb76d1a6eb8582ae10. Human Nature/Family of Blood (David Tennant, 2007)

Some Doctor Who stories are just instant classics, and Human Nature is one. I remember one reviewer at the time going so far as to call it the first true classic of the new series. From start to finish, it’s a compelling and beautifully constructed two-parter. The in media res opening was an unusual decision for Russell T Davies Who, and a really welcome one, allowing the episode to skip over the set-up and exposition and dive straight in.

David Tennant is brilliant as Mr John Smith, treading the fine line between ‘entirely new person’ and ‘the Doctor, but a human’, and Freema Agyeman does a wonderful job of carrying the story in the Doctor’s absence.

For me, the highlight is this sequence in which the Family of Blood and their scarecrow minions mount an attack on the school. Harry Lloyd’s chilling performance as Baines, the conversation about WWI, Sister-of-Mine’s laughter, the hymn that plays as the boys start firing – this really is RTD Who at its best.

The aesthetic is gorgeous and the doomed love story is sincerely touching. As I said: an instant classic.

Runners up: Midnight, The Waters of Mars

Pandorica-Opens-411. The Pandorica Opens/The Big Bang (Matt Smith, 2010)

The Pandorica Opens is my favourite New Who episode, and a good contender for my all-time favourite Doctor Who story. If Human Nature is RTD Who at its best, this is Moffat Who at its strangest, funniest and weirdest.

There’s just so much packed in here, and yet somehow it all works and all comes together for a ride that’s pure fun while also being touching and genuinely epic.

The best thing about Moffat Who, in my opinion, is its unpredictability. When Rory was killed and erased from time part way through the season, most viewers probably expected him to come back – but for him to suddenly show up, in an apparent period piece, as a Roman centurion? What. The Romans are actually Autons? What. The episode ends with Amy dead, the Doctor imprisoned, and the universe ending… and the next episode picks up with the opening scene of The Eleventh Hour, but without the Doctor? What?

It really is a delightful two-parter. My only issue with it is that the following seasons totally failed to satisfactorily resolve the loose threads – but that doesn’t hurt my enjoyment on re-watches.

Runners up: Cold War, Vincent and the Doctor

doctor-who-pearl00112. Season Ten (Peter Capaldi, 2017)

I thought long and hard about which Peter Capaldi episode to put here. The trouble is, I really didn’t enjoy his first two seasons – my favourite episodes, Flatline and Time Heist were, if I’m going to be honest, the ones I disliked least. The best episode, in my opinion, was Heaven Sent which unfortunately I found disturbing in an unpleasant way.

But so far season ten has been absolutely stellar! Trouble is, the episodes are all so new that I haven’t had time to properly digest them. So, I’m going to cheat, and talk about the whole season.

The highlights: Smile was firstly aesthically absolutely beautiful, and secondly one of the scariest episodes of Who I’ve seen in a long time. It had that constant feeling of danger that I haven’t experienced since the last time they did a Weeping Angels story.

Thin Ice, while average in times of sci-fi, did a great job of recreating a historical period that’s quite rare in Doctor Who, and of properly tackling period-appropriate racism (I could watch the punch all day) while also talking about some political and ethical issues which are, sadly, eternally relevant.

Extremis was one of those episodes I’d put with Heaven Sent and Midnight – super weird and profoundly unsettling, and in their own way instant classics. I won’t talk in detail because, frankly, I don’t want to spoil it for anyone who hasn’t seen it, but it is terrifying and it will punch you in the gut.

For the first time in a couple of years, I’m really excited to see where this season is going. It’s a pity Peter Capaldi and Steven Moffat are leaving so soon, because I’d love to see more of this.

And that’s my list! It can change from week to week, but most of my number one picks are set in stone at present. I love all of these stories and if you’re a Who fan, I’d recommend you check each of them out, if you haven’t already.


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My Week In Writing (11/06/17)


Look what came in the post!

Just a short update this week – I continue to be trapped in job search hell. One of the application forms I filled out today felt eerily familiar – so much so that I had to go through my files, just to make sure I hadn’t applied already.

As it turns out, I had – way back in September. I’ve applied for all the jobs in Edinburgh, and now I’m going around a second time…

Settlement 359 is, sadly, stalling right before the climax. I know where I need to get but I haven’t quite figured out how to get there. I just don’t have the mental energy for it at present.

Good news, though – Wednesday is my last day at my job, so pretty soon I’m going to have all the time in the world. I’m taking a week out, then doing doing some social media volunteering.

I read Sirens by Simon Messingham, one of the books I’m reviewing for Shoreline of Infinity. It certainly wasn’t boring – I blazed through it – but I have some, hm, complicated feelings about it and I admit I’m a touch disappointed. I’ve read one of his Doctor Who novels (The Indestructible Man) and thought it was pretty good so I was expecting more interesting things.

I listened to Big Finish’s Fifth Doctor Boxset, which features two stories, Pyschodrome and Iterations of I.

Both stories feature Matthew Waterhouse reprising the part of Adric for the first time since the 1980s. I’ve heard him reprise the role before, for A Full Life, but this was the first time I’d heard him in a full-cast play, and it really was a joy.

Adric is (unpopular opinion) one of my favourite companions and a big part of the reason why I got into Classic Who. The two stories provide a lovely set of bookends for season nineteen, Pyschodrome adding some much-needed character bonding and development, while Iterations of I provides some more conventional Doctor Who action. If you’re into the Peter Davison era, I thoroughly recommend it.

I also listened to the first two installments in last year’s Master trilogy, And You Will Obey Me and Vampire of the Mind. I enjoyed them, but I’m reserving full judgement till I listen to the conclusion, The Two Masters.

And – as you can see! – I got The Doctors: The Pat Troughton Tale, a bumper collection of behind the scenes interviews. I made a start on it today, and I’m having a great time.

Next week, I’m going to leave my job. It hasn’t sunk in yet and probably won’t until it’s really over. We’ll see how that goes, I guess.


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Doctor Who: 12 Stories for 12 Doctors (part 2)

index5. Earthshock (Peter Davison, 1982)

This wasn’t an easy pick – Peter Davison is my second favourite Doctor, after the great Troughton, and I love… well, most of his serials, in all their gritty 80s glory. But while there are many that are better made and more interesting, Earthshock is the one that I always come back to.

The return of the cybermen following a seven year absence, Earthshock is basically Tomb of the Cybermen meets Alien. Which is to say, it’s more or less wall to wall action, with some great character moments, some bizarre directorial decisions, and some truly shocking violence (if you don’t mind spoilers, look up the ending on Youtube and count how many times the cyberleader gets shot. Just count ’em).

The TARDIS got really busy in season 19, with three companions vying for the audience’s attention, so a decision was made to make one story focusing on each companion. Nyssa gets to meet her double and go to a fancy dress party, Tegan gets possessed by a demon, and Adric gets to… save the world, at great cost. I won’t spoil it, but Earthshock gets darker than you’d expect real quick. Thoroughly recommended.

(Runners up: Enlightenment, Kinda)

512J6DAQAKL._SY300_6. The Two Doctors (Colin Baker, Patrick Troughton, 1985)

This… was an easy pick, actually! Much as I love Colin Baker’s Doctor, his two-year run was, shall we say, not the best Doctor Who has ever been. But it did produce this madcap gem. Patrick Troughton had such fun filming the twentieth anniversary special that he asked if he could come back once more – and this time he brought Frazer Hines!

In The Two Doctors, the Sixth Doctor crosses his own timeline to rescue his younger self, and becomes embroiled in an adventure involving Sontarans, cannibal aliens, and a butterfly hunter. The action takes place in and around Seville (New Orleans was planned, but proved too expensive).

The Second Doctor and Jamie part of the plot is so confusing that it’s sparked an elaborate fan theory that’s led to the writing of multiple expanded universe stories. The ethics are so weird that one reviewer proposed that author Robert Holmes is straight-up playing mindgames with the viewer – side with the villain and you’re agreeing with a eugenicist. Side with the Doctor and you’re siding with a bigot.

In short, it’s a bit of a mess. But it has Patrick Troughton and Frazer Hines in one last outing together, a messy Robert Holmes script is still a Robert Holmes, and I just find it all-round endearing.

(Runners up: Revelation of the Daleks, Terror of the Vervoids)

515KXGV2R7L7. The Curse of Fenric (Sylvester McCoy, 1989)

Another difficult choice – pretty much every story to come out of seasons 25 and 26 is pure gold. But at the moment, my favourite has to be Curse of Fenric.

Sylvester McCoy’s Doctor, originally introduced as more of a clownish figure, was increasingly played as a chessmaster, and Curse of Fenric is the result. Years – perhaps centuries – before, the Doctor bested the Elder God Fenric in a game of chess and imprisoned him in a bottle. But Fenric’s influence never died and now he’s breaking free, in the middle of a WWII power struggle between Britain and Russia for the ultimate code-breaking machine… also, there’s vampires.

The Curse of Fenric is a startlingly grown-up story, with a simmering undercurrent of sexuality and some major emotional punches in the gut. It’s also really complicated, like a lot of Seventh Doctor stories – I’d recommend watching the director’s cut, which smooths out some of the more confusing plot points.

Above all else, it’s a story about Ace, the Doctor’s companion, overcoming her fears, maturing, coming to terms with her trouble childhood. Ace has perhaps the most emotionally complex arc of any Classic Who companion, and it’s a real shame that it was cut short.

(Runners up: Ghost Light, Remembrance of the Daleks).

The_Chimes_of_Midnight_cover8. The Chimes of Midnight (Paul McGann, 2002)

Here’s a really tricky one. To date, Paul McGann has only appeared in two televised Doctor Who stories – Doctor Who aka The Enemy Within aka The TV Movie, aka the 1996 special that introduced him, and Night of the Doctor, a short prologue to the fiftieth anniversary special. Of those, Night of the Doctor is quite definitely my fav.

But in this instance, it really wouldn’t feel right not to look at the expanded universe, because that’s where Paul McGann’s Doctor really lives, with something like sixteen seasons of audio adventures under his belt. And of those, I have to go right back to the beginning, to The Chimes of Midnight, recently voted Big Finish’s best ever Doctor Who adventure.

The Doctor and his companion, Charley Pollard, land in a deserted Edwardian townhouse that seems to be frozen in time. Meanwhile, in an indentical house, a group of servants are preparing Christmas dinner. When the clock strikes ten, the two merge – and the Doctor and Charley promptly find the body of the scullery maid, Edith Thompson.

Fortunately, the rest of the staff are absolutely certainly that the Doctor is a detective from Scotland Yard. No-one can agree on the date. Charley starts seeing Edith Thompson’s ghost, who tells her that Edward Grove is alive. Every time the clock strikes the hour, someone dies.

And then things get weird.

The Chimes of Midnight is one hell of a ride, blending surreal horror with farce, managing to be in equal measures uproariously funny and deeply disturbing. I really can’t recommend it enough – you can download the mp3 from Big Finish for £2.99. I guarantee you won’t be disappointed.

(Runners up: Immortal Beloved, Solitaire)

Next week: the New Series Doctors!

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My Week In Writing (04/06/17)


Inspirational posters

Unemployment still looming. I’m trying to stay focused on the positive aspects, i.e. starting a week on Thursday, I don’t have to go to work any more.

My company’s already hired my replacement, which feels a little weird. It also means that he gets my desk, so I’ve been sitting at my line manager’s desk while he plays an elaborate game of musical chairs with himself. It’s a much nicer desk. The days have been going very fast – I don’t know if it’s being in better surroundings, the knowledge that it’ll be over soon, the fear that it’ll be over soon, or just that I’ve been listening to a lot of podcasts!

Earlier this week, my new deskmate said to me, more or less out of the blue, “something something-seller?”
“I’m sorry?”
“I said, once you’re unemployed, maybe you’ll write a bestseller!”

To my knowledge I’ve never talked to her about my writing before, so I was a mite puzzled, but I told her I’m writing a book so… yeah, it’s a possibility. I’m closer to writing a bestseller than a person who has not written a book at all!

I’ve been taking a semi-break from writing this week – I can feel myself starting to burn out and unfortunately it’s the less essential stuff that has to go first. I did start a new story, inspired by listening to The Adventure Zone.

I got a thousand words in before it occurred to me that the premise could have some weird racial overtones if not handled very carefully, so it’s on hold already, which is probably for the best.

This week I listened to Tomb Ship and Masquerade, the latter two volumes in a trilogy featuring the Fifth Doctor, old companion Nyssa, and new companion Hannah Bartholemew. I’m a touch underwhelmed – they’re both decent stories, and I thoroughly enjoyed Masquerade, but I’d expected a trilogy introducing a new companion to… promimently feature said new companion?

Hannah doesn’t figure that heavily in her introductory story, doesn’t show up until episode four of Tomb Ship, and largely takes a backseat in Masquerade before suffering a very unpleasant fate. I’m disappointed but I knew it was coming, so I’m not that disappointed.

I also listened to Jago in Love and Beautiful Things, the first two installments in the fourth season of Jago and Litefoot. I still have some, hm, complicated feelings about the series as a whole, but this season is shaping up to be very enjoyable.

I’ve been listening to the new season of Alice Isn’t Dead, which continues to be super creepy and hauntingly beautiful, and working my way through The Adventure Zone. Catching up on the latter is a strange experience at the moment – the current arc has provoked some discussion, so it’s been difficult to avoid spoilers and every time I see people talking about it it’s like getting a glimpse of some dark and terrible future…

I finished reading The Bear and the Nightgale, which took me a while – I just found it hard to follow. I want to review all the books I read this year, but I’m drawing a blank on this one cause I just plain didn’t get it!

The last couple of episodes of Doctor Who have been a bit mixed – The Pyramid at the End of the World was, while not as good, an entirely worthy follow-up to Extremis but then The Lie of the Land, despite a really exciting trailer, was surprisingly bland. The ending was super disappointing. Ah, well. Next week’s episode looks like fun!

And I made maple syrup flapjacks, which came out pretty delicious!

Next week is gonna be my last full week at work, which feels really strange. I don’t think I’ll fully get my head around what I’ve done till I’ve finally left for good!

I’m going to be spending it working my way through the Doctor Who audios I’ve bought and not listened to and trying to get through as much of The Adventure Zone as I can before I leave my job – can’t concentrate on audio stuff unless I have something mindless to do with my hands!

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Doctor Who: 12 Stories for 12 Doctors (part 1)

In case you couldn’t tell from my semi-regular ramblings about obsure audio plays, I’m something of a Doctor Who nerd. I’ve seen every episode (even the ones missing from the archives – I watched fan-made reconstructions and liked them), listened to many, many hours of Big Finish audios, read a whole stack of books, and even delved into the comics, on occasion. My biggest ambition right now is to one day write an official Doctor Who story.

In short, I love Doctor Who. So, without further ado, over the next three weeks I’m going to share with you my top 12 Who stories – one for each Doctor!

Time_meddler_uk_dvd1. The Time Meddler (William Hartnell, 1965)

The final story of the second season, and, in my opinion, Doctor Who’s most underrated game-changer. During the Hartnell era, the show alternated between sci-fi and historical stories, and The Time Meddler is initially played as a historical: the Doctor and his companions land in 1066, on the eve of the Norman Conquests. But all is not as it seems. A mysterious monk has moved into the previously deserted local monastery – and he has technology from the future!

In retrospect this’ll sound like a common or garden Doctor Who story, but this was the first time the show really blended sci-fi and history like this, introducing what would become one of its genre mainstays.

And that’s not all. Episode two has what is, in my opinion, one of the most game-changing cliffhangers in Who history, when Vicki and Steven discover the secret behind the Monk’s time travel…

Plus, it’s just an all-round fun story, with a delightful villain, new companion Steven Taylor, and William Hartnell at his funniest. Thoroughly recommended.

(Runners up: The Aztecs, The Tenth Planet)

51kU8Y-t1CL._SY300_2. The War Games (Patrick Troughton, 1969)

Patrick Troughton’s final story, and probably the single biggest gamechanger in the show’s history. It’s so well-known in the fandom, I’m not going to avoid spoilers: in The War Games, the words ‘Time Lord’ are uttered for the first time. The Time Lords themselves appear for the first time in episode 10, and boy do they make a memorable entrance.

And yes, episode 10 – The War Games has a run time of over four hours. The Time Lords don’t show up for three and a half. What happens in the first nine episodes? Well, the Doctor and companions Jamie and Zoe land in the middle of the First World War, arrested, and tried as spies and deserters. The commanding officer is secretly an alien, who hypnotises his human underlings into pronouncing them guilty! Zoe and Jamie are sent to different prisons – and the Doctor is sent for execution!

The Doctor is saved from his execution – by (watch closely) soldiers in US Civil war era uniforms. Then Jamie meets his cellmate – an 18th century Redcoat. And then things get weird.

The War Games has been accused of padding, and to be honest, it’s true. It probably ought to have been a six-parter. But it’s ten straight episodes of Patrick Troughton – I’m not about to complain!

(Runners up: The Mind Robber, Power of the Daleks)

Dvd-spearheadSE3. Spearhead from Space (Jon Pertwee, 1970)

I’m not going to lie, Jon Pertwee is far from my favourite Doctor. It wasn’t hard to pick a favourite of his stories – in his whole 5-year run there’s only a handful I wholeheartedly like. Fortunately those I like, I really like.

Spearhead from Space was Jon Pertwee’s first story, Doctor Who’s first story in colour, and an all-round radical departure from what had come before. Due to budgetary constraints, it was decided to ground the Doctor on earth for a while, so he begins this story newly regenerated and sent into exile by the Time Lords.

For the next couple of seasons, there’s no time travel, no new planets, very little of the TARDIS – just the Doctor dealing with alien menaces, practically in the viewers’ back garden. This earth seasons, for all they can be a bit samey, have a reputation for being especially scary.

Spearhead from Space is a prime example. It introduced the Autons, who, frankly, have never been as scary since, deep, deep in the uncanny valley. Compared to the rest of the Pertwee era, it’s a snip at 4 episodes (a little under two hours) and perfectly-paced. I really can’t recommend this one enough.

(Runners up: The Time Warrior, The Monster of Peladon)

Warriors_gate_us_dvd4. Warrior’s Gate (Tom Baker, 1981)

One of Tom Baker’s last stories, and highly underrated, in my opinion. Actually, I think his whole last season is underrated, but Warrior’s Gate is undoubtedly the highlight.

The final story for companions Romana and K9, Warrior’s Gate is in some respects the true end of the Tom Baker era – his remaining two stories have a downright funereal tone and devote a lot of time to introducing new companions for incoming Doctor Peter Davison.

What’s it about? Good question. Trying to escape from the E-Space, the pocket dimension where they’ve become trapped, the Doctor and his companions land in a mysterious white void. Also in the void is a human slaving vessel, also trapped… and a castle. The castle is some kind of interdimensional gateway and by stepping through a mirror within, you can travel into the past. Maybe.

The humans are carrying a cargo of alien Tharils, whose psychic abilities power human time machines. The Tharils built the castle and used to enslave humans, until they were overthrown themselves. They’ve somehow predicted this whole thing and are quietly manipulating events to their advantage. Maybe.

Meanwhile, the white void is shrinking…

Warrio’s Gate is seriously weird and seriously creepy. Some sequences are dripping with symbolism. Others are cryptic ethical commentaries. Even the Doctor doesn’t seem to fully understand what’s going on. The human characters certainly don’t understand what’s going on. I’ve watched it several times and I still don’t get it. But I love it to bits.

(Runners up: Genesis of the Daleks, The Robots of Death).

So, that’s my first four picks. Next week: Peter Davison, Colin Baker, Sylvester Mccoy and Paul McGann.

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My Week In Writing (28/05/17)

20170527_203809I didn’t find a new job this week – not that I really expected to, but it would have been nice. I’ve applied for 15, though, and had an interview, so… hopeful?

I’m still struggling to process the fact that I’m leaving my job. It’s especially weird because my work is so repetitive and so thankless that it messes with my sense of time – intellectually I know I’ve been doing it for 2+ years, but it’s been the same working day over and over so it still blows my mind a bit that it’s been more than a couple of months.

So, I’m sort of simultaneously terrified at the prospect of the whole structure of my life changing – entirely of my own choosing – and feeling a bit like ‘phew, everything’s finally going back to normal’. This was always meant to be temporary, y’know?

On a lighter note, I’m just below the halfway point on reading through Summer and enjoying my new draft very much. Fingers crossed it’ll be smooth sailing from now on – so long as I don’t encounter any tricky problems while reading the second half (I found one fairly significant continuity error in the first half) I’m all but finished.

Settlement 359 is at 145k and climbing. And – brace yourselves – I actually started writing the climax. The actual, proper, climax. It’s now in progress. It’s all very exciting. I might even finish this thing before the end of June.

This week I’ve been reading The Bear and the Nightingale by Katherine Arden, which I’m enjoying, but it’s been slow going – largely, I think, because the Russian names are confusing me so I keep losing track of which character is which!

I listened to two Doctor Who audios, The Burning Prince and Moonflesh, both Peter Davison stories.

The Burning Prince is the first volume in a multi-Doctor trilogy (I didn’t get the second two volumes – they weren’t on sale). It’s a rare solo Fifth Doctor story – he doesn’t travel alone on screen, ever, so expanded universe writers have to be creative if they want to get him by himself! It’s unpredictable and action-packed, all around a bit of a rollercoaster ride. It’s also one of those Davison stories that’s a full-on bloodpath. Brutal stuff. Not a classic of the range by any means, but solid.

Moonflesh is the first volume in a trilogy of stories featuring the Fifth Doctor, TV companion Nyssa, and new companion Hannah Bartholemew (I bought all three – they were all on sale). An enjoyable enough story, but I’m feeling a slight sense of trepidation, going into the rest of the trilogy – Hannah’s heavily implied to be a lesbian (and a butch lesbian – a first for Doctor Who, as far as I know) but best as I can tell her sexuality is never confirmed, and I accidentally spoiled myself for the ending of her last story, which is, erm, tragic. Hopefully it’ll all be handled well.

I finished the third season of Jago and Litefoot. My favourite season, so far, though that’s in large part because it’s the most Doctor Who-y, due to the addition of Tom Baker companion Leela to the main cast. A really strong run of stories, anyway, blending an ongoing story arc about rifts in time with some very strange, very sad human dramas.

I’ve also been listening to The Second Imaginary Symphony, a mini series from podcast The Orbiting Human Circus of the Air. It’s whimsical, melancholy show that blends storytelling with an ongoing plot about a lonely janitor who works in the Eiffel Tower. The Secondary Imaginary Symphony is a standalone story from the same world, with the same lovely, relaxed tone. I’d recommend checking it out.

And I just started watching Anne with an E, which so far is a beautifully done adaptation. Much heavier viewing than you might expect – there’s some scenes I think I could have done without, but it is what it is.

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