Category Archives: big finish

Big Finish Review: December Short Trips

I’ve talked about Big Finish’s monthly Short Trips range twice before (The British Invasion and A Heart On Both Sides/All Hands On Deck) so I shan’t reiterate myself. Suffice to say I bought my 2018 subscription a couple of months ago and I’m very excited for this year’s lineup, especially I Am The Master, a short story written and performed by Geoffrey Beevers (who’s been reprising his Master for Big Finish since 2001) and Erasure, performed by Sean Carlsen of Big Finish’s Gallifrey range.

Last month Big Finish put out not one but two Short Trips: their regular monthly story and a special release, the winner of their annual Paul Sprague Memoral Short Trip Contest. I listened to both stories this week, so here’s what I thought:

short2Landbound by Selim Ulug

Ronald Henderson, once the captain of a cargo ship, now a pub landlord, meets the Doctor one day in Whitby. The Doctor saves him from a mugging – and so begins a strange and rocky friendship.

I confess: having entered the Short Trip Contest myself last year, it’s difficult for me not to go into the winning story with a touch of resentment. I came away from last year’s Forever Fallen grudgingly impressed and wondering how they were going to top it. Unfortunately I came away from Landbound somewhat frustrated.

As a concept for a Third Doctor story it’s solid – the Doctor grounded on earth befriending a landbound sea captain haunted by memories of the impossible sea monster that destroyed his ship. The first act of the story was very effective – but to be honest, felt to me complete, the remaining 15-20 minutes of runtime seeming more of an extended epilogue.

And the ending, ultimately, did not ring true for me. By the last scene I fully expected this to be a story in which the Doctor makes a mistake that he can’t make right – but then he did, and with no effort at all.

That said, I’m just not a big Third Doctor fan in general. If you are a fan of this era it’s definitely worth checking this one out – it slots very nicely into seasons 7-10 and setting the opening scene in the aftermath of The Silurians was a masterstroke.

I feel a little weird giving this story a bad(ish) review, having admitted to entering the contest. But the honest truth is, I very much wanted to like it, and I didn’t.

short1O Tannenbaum by Anthony Keetch

And now for something completely different: Big Finish’s annual Christmas Short Trip, this year read by Peter Purves.

The Doctor and companion Steven Taylor land in a beautiful pine forest, where they find a charming cottage, a frightened little girl, and dying old man. In the cottage there is a Christmas tree. Daddy, the girl tells them, cut it down that morning. Then he went back into the forest for firewood… and he hasn’t come back.

O Tannenbaum has the kind of simultaneously simple and utterly bonkers concept that’s characteristic of Doctor Who. It’s an uneasy, spooky story with a final twist that turns out more heartwarming than you might expect – in the spirit of the season. (Is the history of the Christmas tree the Doctor recounts to win the day true? Probably not, but what does it matter?)

Peter Purves is my favourite reader for First Doctor stories. His William Hartnell voice is stellar and he never fails to capture Steven Taylor’s character, even fifty years on. Some actors you have trouble picturing them exactly as they were in the sixties; Peter Purves you’ll never question.

I’d call this Big Finish’s best Christmas Short Trip to date, but given that there’s only been two that hardly seems fair! I do, however, think it’ll be hard to top come Christmas 2018.

Advertisements

Leave a comment

Filed under big finish, doctor who, review

My Week In Writing (19/11/17)

stats19Well: I hit 50k this week! I’m on track to finish at 100k but trying not to get too invested – 3,333 words a day is a big time investment on working days and doesn’t leave much time for anything else so I don’t know if I can keep this up till the end of the month. Staying focused, though.

I’ve updated my NaNo profile with a new (much better) title and an excerpt, so go check that out.

Yesterday I had a look through some previous drafts for this same novel. They were all varying degrees of painful to read. Hopefully this one will age better!

Annique is currently at 45k and I’m adding to it whenever I can find the time. Aiming for ten minutes a day which is enough for me to do 500 words so I probably ought to be able to add to it more often.

This week I got caught up on Steven Universe. Enjoying the most recent arc more than certain previous arcs but still nothing like as interested in this show as I used to be. Still hoping it’ll pick up again, given how good it can be.

I’m almost finished season two of Stranger Things, which as ever I’ve been finding a bit mixed but maybe I should save that for a full review sometime.

Plus I am, naturally, still watching and still loving Dirk Gently, which so far has kept on getting better and better. Should be able to watch the newest episode after work tomorrow and very excited!

I listened to The Ingenious Gentleman Adric of Alzarius, the newest Doctor Who short from Big Finish. My expectations were pretty high, given how good their last Adric Short Trip was, and it did not disappoint. Really creative, really poignant stuff. Where was all this high-quality Adric expanded universe material back when I was into the Peter Davison era, I ask you.

And yesterday I went to see Thor: Ragnarok which is an absolute delight (the jokes! The colours! Loki!) and I’d thoroughly recommend it.

Next week, I’m hoping to meet and exceed my previous NaNoWriMo record (80,000 words) and keep going. Got some big plans (Thor was unexpectedly inspiring). So basically, more of the same!

 

Leave a comment

Filed under big finish, doctor who, films, NaNoWriMo, Weekly Update, writing

Big Finish Reviews: A Heart on Both Sides & All Hands on Deck

Big Finish’s Short Trips Monthly range started up in January of 2015 and I’ve been a regular subscriber more or less ever since. And as of this year BF finally has a license to start producing New Series themed material.

Short Trips has always been an especially varied and creative range, so I was excited to see three special short trips blending new and old Who concepts; March/April’s The Jago and Litefoot Revival and for September and October a pair of stories sending two of Big Finish’s most popular companion characters into the Last Great Time War.

A Heart on Both Sides, featuring BF veteran performer Sarah Sutton as Nyssa, and All Hands on Deck featuring Carole Ann Ford as Susan, the Doctor’s granddaughter and the original Doctor Who companion caused some high emotions amongst the fanbase when they were announced. Not because people thought they would be bad; it’s that Nyssa and Susan are both exceptionally kind and good characters, and Big Finish don’t you dare hurt them.

Needless to say, I had some big expectations for these stories. Did they live up to them? Well, sort of.

heartA Heart on Both Sides by Rob Nisbet

A Heart on Both Sides dives straight on in. We find Nyssa and her new assistant crewing a hospital ship, the Traken, trying desperately to help as many people as they can while the Time War rages around them.

But when their arrival on a neutral planet is followed closely by a Time Lord attack, Nyssa finds herself the object of suspicion and tensions run still higher when her assistant is found to be a Time Lord himself…

Nyssa’s assistant is, of course, the Doctor (as played by Paul Mcgann). She doesn’t recognise him and he never reveals herself, which, surprisingly, actually works. This is a Doctor who is working hard to stay detached from events. He involves himself in Nyssa’s life only as long as is necessary to save it and then he’s gone.

The emotional stakes are high and on that level this story is a tense and often moving listen.

Unfortunately, the premise doesn’t hold up to close scrutiny. It’s a fairly ordinary war-time story but the trouble is, the Time War isn’t an ordinary war. As far as we know, the opposing side are the daleks. The whole concept of Nyssa having ‘a heart on both sides’ (as the Doctor claims) is puzzling to say the least and never really explained.

A Heart on Both Sides sets out to prove that the Time War was more ideologically complicated than it might seem at first glance, but unfortunately doesn’t pull it off. I’ve thought about it a lot and the only ‘two sides’ I can think of that make sense in this context are fighting against the daleks vs remaining neutral, but if that was the intention, it really ought to have been explained more fully.

handsAll Hands on Deck by Eddie Robson

I had a lot of expectations for this story. I did not expect it to open with a dalek machine spewing custard. Suffice to say this one was a surprise!

Susan has now helped Earth weather not one but two dalek invasions and lost most everyone she loves in the process. But she’s determined to help her adopted homeworld rebuild. Life goes on.

Then one day she finds herself dealing with a dalek machine spewing custard. An asteroid that disappears before it can hit the Earth. A series of curiously harmless crises. Almost like someone is playing games with her.

It’s the Doctor, playing a very clever and dangerous game indeed. His appearance late in the story where it would normally be a relief is here an unsettling twist. The Doctor is, very unusually, here the antagonist. A sympathetic antagonist but an antagonist nonetheless.

His goal? To keep Susan from realising that Gallifrey is trying to contact her… to draft her into the military. To fight in the Time War. This reveal when it comes is hardly a surprise but its consequences are gutwrenching.

All Hands on Deck is a study into Susan’s character and her relationship with the Doctor, who hasn’t been the world’s best grandfather. The climax harks back to the famous ending of The Dalek Invasion of Earth, wherein the Doctor locked Susan out of the TARDIS and out of his life for her own good, starting her new life on 22nd century Earth.

The Dalek Invasion of Earth has long been praised for its emotional weight and criticised for its sexist, paternalistic undertones in equal measure. Once, the Doctor took away Susan’s right to choose her on path in life. Now their positions are reversed, and now she takes it back.

The decision of have the Doctor play the villain for once was a very interesting one, especially in a story about Susan, perhaps his closest companion of all. And it’s equal parts carthartic and heart-breaking, especially for listeners of The Eighth Doctor Adventures who know exactly what Susan has been through to reach this point.

Verdict:

A Heart on Both Sides was more or less what I’d expect from a New Who based Time War story, which is to say, an enjoyable narrative but ultimately unsatisfying. I hope Big Finish does better in their Time War boxset (I haven’t listened to it yet!).

All Hands on Deck was not at all what I’d expected, and it’s brilliant. I’d recommend it to anyone who’s familiar with Susan’s character. It’ll break your heart.

 

 

 

Leave a comment

Filed under big finish, doctor who

My Week in Writing (22/10/17)

20171021_134918.jpgI’ve had an odd week, for reasons that to be quite honest, aren’t suited to this blog. Let’s just say I lost most of a night’s sleep and for the first time in several months one of my fridge shelves isn’t propped up with a pint glass.

My Inktober document is sitting just shy of 5k and I only have another 8 prompts to go. Written some excerpts of stories I’ve been throwing about for a while plus openings for various new things that I’m mildly excited about!

I listened to The Outliers, which I enjoyed very much and am planning to do a proper review of (perhaps when the season finishes, to avoid flooding my blog with posts about obscure Doctor Who stories) so I shan’t say too much more.

I also listened to A Heart on Both Sides and All Hands on Deck, Big Finish’s two Time War era stories pairing the Eighth Doctor up with classic series companions. A Heart on Both Sides was pretty good but All Hands on Deck really is a treasure and genuinely surprising.

And I listened to Breaking Bubbles and Other Stories, an anthology release starring Colin Baker and Nicola Bryant. I found the title story a bit so-so but the rest were really outstanding. An Eye for Murder was probably the stand-out, some truly chilling stuff.

I went to the Creative Salon on Tuesday, which was a low-key kind of mixer this month. Met some nice people, got into a strange and intriguing conversation about ghosts, left early.

I had my mother to visit! We went to the National Museum on Friday to see the Galloway Hoard – which they’re in danger of losing, go here to find out more and donate to help them by it. On Saturday we went up to Newport-On-Tay to see Generations of Colour, an exhibition of artworks by David and Callum McClure.

David was a good friend of my grandparents to my mum was very keen to see the show. We fortuitously managed to go on a day when Callum was doing a monotyping demonstration, so that was interesting! Fascinating process to watch.

Next week, I’m probably going to be doing more filing at work, which means I’ll be able to listen to some more Big Finish. Which is good timing because they had a 10% off everything sale this weekend, so I have a lot of audios to listen to. Otherwise, no plans.

Leave a comment

Filed under big finish, doctor who, writing

Review: Doom Coalition 4

doomHere we are: the final installment. Looking back, Doom Coalition represents an interesing Big Finish transition, as they got the rights to and, naturally, wholeheartedly embraced New Who. Here we have River Song, we have the Time War… we have the Weeping Angels.

Ship in a Bottle: Picking up from volume three’s nailbiting cliffhanger, the boxset gets off to a strong start. The Doctor, Liv and Helen are hurtling forward into the time vortex, into a future that no longer exists. They have the contents of their semi-functional escape pod. They have their wits. They have each other.

What follows is, perhaps surprisingly, volume four’s character piece. There’s never any real doubt in the listener’s mind that they’ll find a way out. The drama comes from listening to the characters grapple with their situation, from their at times starkly different ways of dealing with the horror of their circumstances. It’s ingenious and, ultimately, triumphant. I’d say this is probably my second favourite Doom Coalition story, after Absent Friends.

Songs of Love: River Song, left alone in the lion’s den, does the natural thing… teams up with the enemy. The Doctor is gone, Liv and Helen lost in a rapidly diminishing future; this is River’s story and for the first time in the series (IMO) she really shines, spectacularly conning the Time Lords while simultaneously grappling with her own heritage.

River visiting Gallifrey for the first time has a potential for character drama which isn’t lost here, even as the story stays as quick and action-packed as ever. River is not a Gallifreyan; she is not an alien. The Time Lords struggle to identify her, but she knows exactly who she is and what she’s doing, and she has the villain wrapped around her little finger. River Song at her heroic best.

The Side of the Angels: And now for something completely different. Tracking the Eleven, the Doctor lands in New York in the 1970s, where he finds more than one old enemy lurking. Reverend Mortimer, aka the Meddling Monk (played here by a deliciously camp and scheming Rufus Hound) has joined forces with the last free Time Lords to create a stronghold against the end of the universe. And to that end, they’ve recruited the Weeping Angels.

This is the point in the boxset where things start to get really complicated. I admit: I’d forgotten who Cardinal Ollistra was or why I should care, and between the main arc, Ollistra’s scheming, the Eleven’s counter-scheming, and the addition of the Weeping Angels, I got a bit lost.

That said, once you reach the inevitable carnage the story really comes into its own. Big Finish has done an impressive job of realising the Weeping Angels on audio, and you feel them here even if you don’t see them. Unfortunately the weak link in the boxset, but still a great ride.

Stop the Clock: Returning to Gallifrey to face down the Doom Coalition, the Doctor, Liv and Helen are working against the clock. The Doom Coalition have one chance to unleash their wave of destruction on the future. The Doctor has one hour to stop them. The race is on.

As with The Side of the Angels I got a little lost here, between all the returning characters and all the threads, but the characters ring very true. The Doctor, Liv and Helen haven’t had as much room to breathe as some other TARDIS teams but here the Doctor trusts both of them absolutely, letting both of them play vital and dangerous roles in his plan, and it feels right.

And what is, in retrospect, the true arc of Doom Coalition comes to a head, as Caleera AKA the Sonomancer. The two aspects of her character, the tormented, maligned young woman and the fearsome villain coming together for a conclusion that’s at once satisfying, tragic and straight up chilling.

Verdict: I do have to say, looking back I think Doom Coalition 3 was the strongest installment. It’s almost inevitable: with so many threads to bring together and tie up, the final installment of a series like this would be… unforgiving to write, to say the least.

That said, the highs are really high: Ship in a Bottle, the Doctor confronting the Monk for the first time post-To the Death, River at her best, another team TARDIS facing the Angels… Caleera’s reconciliatin with Helen and their ultimate face.

In retrospect, it’s blinding obviously what Caleera’s fate would be. I did find the handling a little lacking: given her insistance that she is not and was never a monster, I do wish the tragic irony of her becoming what she did had been dwelt upon. But it was a shocking and thrilling moment, nonetheless.

As I’ve said in previous reviews, I found Doom Coalition a little lacking in characterisation, but it more than makes up for it in excitement, drama and plot twists – oh, there are twists! – and when it slows down and focuses on its characters, it sings.

All four boxsets together are a tense, concisely-plotted ride and if you want a jumping in place for the Eighth Doctor, you could do a lot worse.

Up next for Eight is a four-part Time War boxset and as pumped as I am, I’m really looking forward to seeing more of Liv and Helen. Don’t leave us hanging Big Finish. Please?

Leave a comment

Filed under big finish, doctor who, review

My Week In Writing (16/10/17)

20171013_120515.jpgA short update this week. Between various things I’ve been having a pretty exhausting time.

I’ve been doing some training at work, which has included getting sent to what I can only descibe as the filing jail. I’m probably going back tomorrow. And will need to take comfortable shoes this time.

I’m still working on Inktober – I’m all up to date and only missed a couple of days. Looking forward to expanding some of the drabbles I’ve written into full stories.

I finished Quiet, Loud, my very strange werewolf story. I think I managed to get it to a stage where other people would understand it, but there’s only one way to find out, I suppose!

I also finished Anita and Me, which means I’ve hit my Goodreads goal of 45 books! I decided to shoot for 50 a while ago, though, so I’m still going. I’m now reading The Time Hoppers by Robert Silverburg, which I confess I bought mostly for the aesthetic.

And I finished Doom Coalition 4, which I have somewhat complicated feelings about but mostly enjoyed! There’s teasers out for the upcoming Time War boxset, which I was pleasantly surprised to find in my library – they came with the newest Time War-themed short trip.

The Outliers is also out, which I’m very excited about… but probably won’t have time to listen to till next weekend. Oh well.

This week, I’m hoping to finish my final read through of my novel. Tomorrow I’m going to the Creative Salon at the Traverse Bar, and next weekend my mum’s coming to town! So, busy week.

Leave a comment

Filed under big finish, books, Weekly Update, writing

Review: The British Invasion

britishI confess: I’m a little late with this here review, given that Big Finish have already put out their next two Monthly Short Trips (and it looks like an exciting pair, too!). But I was never not going to review something as relevant to my interests is this: The British Invasion.

I love BF’s Short Trips (the books, the audio collections, and the monthlies) and I love the Second Doctor, so a Two-era Short Trip is always an extra special treat for me. And this one didn’t disappoint!

The TARDIS lands in London, in the summer of 1951, perfectly situated to take in the Festival of Britain. The Doctor is enthralled; Jamie and Zoe are less so. When you can go to the past and the future whenever you want, what’s the point of a museum? Museums, the Doctor declares, tell you what people think about their own past and future.

Soon, all three TARDIS crew members are united by a common purpose as they become determined to help a scientist make her exhibit work – to send radio signals to the moon and back.

The Festival of Britain was an ingenious bit of history to highlight. One of the strengths of Doctor Who, especially BF Doctor Who, is its ability to put to the forefront oft-looked historical events and this is an especially apt example.

Though it’s a historical the setting harks back to the roots of Doctor Who itself, the optimistic, ‘shining vision of the future’ era of sci-fi to which sixties ‘Who belongs. In many respects it’s a world away from sci-fi today.

The British Invasion is also one of those (in my experience, rare) Two-era stories that does justice to all its characters. A lot of writers seem to struggle with three-person TARDIS teams, but Jamie and Zoe both get a chance to shine here, in there own, strange way. Ultimately, though, it comes down (as it ever does) to a battle of wits between the Doctor and an old enemy.

And that, for me, is where things started to get disquieting, and not in a good way. The reveal of the enemy-of-the-week is ingeniously done and I shan’t spoil it. It’s a great use of a Classic Who monster.

But with the reveal of the monster comes the reveal that the characters have been manipulated all along, that their enemy has literally been putting thoughts in their heads that were not their own. Which, in a story as introspective as this, makes you wonder what you can trust. And if you can’t trust the narrative you’re listening to, what’s the point?

Jamie has some fascinating character moments. He sympathises with the scientist because he, too, feels that he’s not taken seriously because of his background, which is a remarkable step for a character who earlier stories had shown to be openly sexist at times. He’s the only character to notice, and be troubled by, the propagandistic nature of the festival. Are any of these moments genuine? It’s never made clear.

This ambiguity isn’t a bad idea, but the short form means there isn’t really time for the narrative to deal with the consequences. It feels a touch truncated, the ending a bit rushed. It’s unexpectedly dark.

That said, I fully expected to enjoy it more on a second listen and I did. It’s a fascinating little story and I continue to be glad I subscribed to the monthy Short Trips.

 

Leave a comment

Filed under big finish, doctor who, review