I’m just going to get this out of the way first: I am honestly shocked that so many people thought ‘G*psy Danger’ would be a good name for a giant robot. I can see something like that making it into early drafts of a script, but all the way to the cinematic cut? Truly baffled. Had I known G*psy Danger was the lead robot rather than just a throwaway detail I’d have been much more reluctant to go see Pacific Rim at all.
But that nasty little detail aside, Pacific Rim is a really excellent sci-fi film. Giant monsters begin crawling out of a dimensional rift beneath the Pacific. The governments of the world come together and decide that the best way to deal with the situation is to build giant robots and punch the problem till it goes away.
If you want to see a giant robot beat up a sea monster with an ocean liner, Pacific Rim might just be the film for you.
It’s not the most imaginative premise, but it’s lavishly detailed, from the workings of the Jaeger technology to the dog-sized mites that live on the monsters. It’s big, it’s visually stunning and all-round awesome. Probably my favourite film of the summer.
The World’s End, the final installment in Edgar Wright and Simon Pegg’s ‘blood and ice cream trilogy’, is really two films. There’s the sci-fi bro-comedy it was marketed as – and a much darker, much bleaker science fiction film. Though really, one could say it’s three films: a bro-comedy, a sci-fi comedy, and a science fiction film. But I doubt many people watched it without knowing the reveal. (Spoilers: there’s alien robots.)
Five schoolfriends get together to complete ‘the Golden Mile’ a legendary pub crawl in their home town – only to discover that the town has been taken over by sinister alien robots. It’s a very funny film, but likes its predecessors – in particular Shaun of the Dead – it’s not without its darker and more poignant moments.
Simon Pegg and Nick Frost change roles here, with Pegg playing the slacker manchild and Frost playing his straightlaced friend. Pegg’s character was played very much as a comic figure in the film’s trailers; in the film itself he is from the beginning as pathetic as he is funny and as events play out his behaviour becomes genuinely disturbing. There’s a truly shocking reveal late in the film, carefully hidden behind all the robots. It may take you by surprise.
Then there is the ending. To avoid spoilers as much as possible: there is an abrupt, bleak and shocking swerve in the final minutes of the film that will almost certainly take you offguard. It comes out of nowhere, is completely at odds with the tone of the rest of the film, and to be honest I wish it had been cut. The World’s End might have been a stronger film had it ended one scene earlier. So it goes.