I went to see The Heat partly because my friends wanted to see it, partly because I really enjoyed Bridesmaids and partly because it was a film I kind of wanted to support – it’s a buddy cop movie with female cops. You don’t see that very often
And I can say that, if you liked Bridesmaids, The Heat will not disappoint. It has the same brand of comedy, but here with a more dramatic flare and sans the gross-out humour – though there’s one scene that seems calculated to make up for the lack of grossness by packing as much as it can into a few short minutes. (Word of advice: if you’re squeamish about blood, don’t see The Heat.)
That one scene aside, the comedy is all top-notch – the Boston accent confusion (knock/narc?) is funnier than it has any right to be – and the dramatic scenes have a real emotional resonance. The happy ending and its partnership between the two leads really does feel earned.
So my only real complaint about The Heat is about that rocket launcher. You know, the one on the poster and in the trailer – that does not get fired even once in the whole film. For shame.
We’re the Millers
We’re the Millers is a film with a really good concept. After being robbed, a low-level drug dealer is forced to become a drug mule to get back in his boss’s good books – and gets the idea to fool the U.S. border guards by putting together a fake family and playing tourist. There’s a whole lot of potential there, the trailer was reasonably funny – and hey, that’s Jennifer Aniston and Will Poulter (of Son of Rambow and Voyage of the Dawn Treader)!
Unfortunately – and unsurprisingly – it falls apart on the execution. It’s not that it isn’t funny; it’s very funny, though most of the best laughs are in the trailer. It’s that We’re the Millers doesn’t seem to know what kind of comedy it is. Is it the heartwarming kind of comedy where its characters learn the value of family? The darkest kind of comedy with jokes about incest? Or the kind of comedy that’s all dick jokes?
It succeeds only at the latter. We’re the Millers never goes beyond the fringes of truly dark comedy and it’s happy families message is confused. The ending – which has the ‘Millers’ staying together as a family through the witness protection program – falls flat because you just don’t buy that these people have really become a family, nor that all of them want to. (With the exception of Kenny. Kenny is truly lonely.)
It’s not a bad comedy. The funny moments are (for the most part) funny, the touching moments (for the most part) touching – it’s just confused and unbalanced.