Where most zombie stories are about the horror of loss of control and chaos, The Brief Afterlife of Reginald Tanner focuses on the precise opposite. A scientist devises a brilliant – but costly – way to bring the dead back to life. This leads almost at once to the appointment of a Minister of Mortality, the creation of a mortality tax, and yet more legislative and capitalist horrors.
The horror comes not from the zombie, poor ol’ Reginald Tanner, but from the government’s nastily realistic decision to, as they put it, ‘privatise death’. As a satire it is biting, but spectacularly unsubtle. There is no wriggle-room for interpretation here – nor is there really meant to be.
The lack of subtlety is the show’s biggest weak point. It is a production that is very certain of its own wittiness which is not always as witty as it tries to be. It spends a lot of time going into detail about the horrifying system being developed for reanimated corpses and little time on developing its – largely archetypal – characters.
Certainly a play with room for improvement – but for an entirely new twist on the zombie genre, one can put up with some flaws.
The Brief Afterlife of Reginald Tanner is a Shiny New Theatre production that was on at Café Camino at 8:45 until August 24th.